To mark our first anniversary, we are open-sourcing the tools and workflows we built on our film and game productions — one every day for seven days, from Sunday, October 18 to Saturday, October 24.
Every project is on GitHub. Try the source as it is, improve it, and build it into your own work.
Music and sound effects, made on your own machine.
Gives Claude Code, Cursor and any other MCP client a sound studio that runs on your own Mac or Windows PC. Ask in plain language and Stable Audio 3 generates the music or sound effect locally, then loops it seamlessly, sets the loudness (LUFS) and exports it for your game engine or video editor. No cloud, no API key, and nothing to pay per generation.
Water carves the sand; the sand reshapes the water.
A reference implementation of real-time, two-way coupling between a GPU shallow-water solver (Kurganov–Petrova 2007) and an erodible sand heightfield. Each sand cell carries its own wetness and strength, so a wet, packed wall stands against the surf while a dry, loose pile slumps and washes away — all from unscripted physics. Sixteen Godot 4.7 compute shaders, about 3 ms of GPU time per frame on an RTX 3060.
Does your generated sound match the prompt?
A local QA tool for generative audio. Built on Google’s multilingual EmbeddingGemma 2, which places text, sound, images and video in one shared space, it checks whether a clip matches its prompt, ranks your takes, runs technical QC on loudness, clipping and loop seams, judges how a sound fits the picture, and searches your own library. Use it from the CLI, a browser workbench or an MCP server.
With generative AI, the tools for making films change almost daily. What lasts, we believe, is not which tool you used but how you combined and finished the work — the way things are made.
One year in, we want to hand over what we have learned on client productions and our own titles in a form anyone can use. OPEN SOURCE WEEK is the first step.
We also take on game and interactive content development.
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